Wednesday 6 September 2023

France in an Uproar


Published by Cahusac in 1790 [1]

Since 1789, France had indeed been in an uproar as the French Revolution began with the storming of the Bastille.

1. Twelve Country Dances, with their basses, for the year. 1790: with proper directions to each dance.
  • London : T. Cahusac, [1790]

Saturday 24 June 2023

Round Top and Bottom Couples


This diagram is taken from Thomas Wilson's "English Country Dancing", published in 1820.

Wilson describes this as one of the many "new" figures he is introducing to country dancing.



Sunday 14 May 2023

Hoops


Bath Chronicle and Weekly Gazette - Thursday 19 September 1765

'Ther will be a ball as usual at Mr Simpson's Rooms on Monday next, being the anniversary of their Majestyies [sic] Coronation; subscribers of which are taken in at both Rooms No Ladies to be admitted to dance a minuet, without a lappetted head and full dress hoop; and such minuet dancers as chuse [sic] to dance country-dances must be attended by a woman servant to put the hoops off, as no hoops (be their size large or small) are allowed in country dances.'

The sheer size of hoops made them a problem when moving around, and carriages and doorways had to be modified; even then, women often had to enter rooms sideways; small rails were put in place around tables to stem the risk of small objects being swept off the top by entrant hooped skirts. For this reason, they were increasingly not permitted in country dances which at the Assemblies meant large numbers dancing in close proximity. At one court ball in 1780, the ladies were said to have worn such large hoops that they took up as much room as four people[1]. Mr Neal, the treasurer of the Charitable Musical Society of Dublin, made it a proviso for attendees at his new music hall that women remove the hoops from their skirts and men remove their swords so that 700 people could be squashed in.



  1. Peg Plunkett: Memoirs of a Whore by Julie Peakman

Wednesday 1 February 2023

Two Dances from 1795


Published by Cahusacs: Thomas Cahusac, Sr., and his two sons Thomas, Jr., and William Maurice were instrument makers in London during the late eighteenth and early nineteenth century.